Antarctic Sapiens

02 · The Studio — research, writing & commissioned work

Bring a difficult question. Leave with the document that answers it.

Research first, always. We read the evidence before we write the answer, and every claim in the document you leave with can be traced to its source.

Research
research briefs · commissioned research · evidence syntheses · technical assessments
Strategy
policy · strategy · investor and decision papers · positioning & communications
Writing
ghostwriting · long‑form features · short‑form series · commissioned publications

Compare the two offers See commissioned work


People and organizations come to the Studio with difficult questions, dense evidence, unfinished ideas, or material that needs shape. We research it, test it, synthesize it and turn it into something useful: from a pitch deck or short-form article to a report, book, or novel.

There are two doors.

Offer 01 · Research Brief — fixed scope

For a focused question that needs evidence, analysis and a clear answer.

A fixed-scope investigation that reviews the evidence, checks the sources and delivers a concise answer with the implications that matter.

Typical outputs

  • Research brief
  • Evidence map
  • Annotated source pack
  • Technical assessment
  • Decision memo
  • Research-backed editorial direction
  • Short-form article up to 1,500 words

Price

Research Briefs begin at USD $1,000.

Final scope determines final price.

Start with a Research Brief


Offer 02 · Commissioned Research — scoped to the question

For larger questions or projects that require deeper research, synthesis and a substantial final deliverable.

Deeper research and synthesis for work that cannot be handled as a fixed-scope brief.

Possible outputs

  • Research reports, evidence syntheses and technical assessments
  • Policy, strategy, investor or decision papers
  • Long-form features and commissioned publications
  • Short-form article series

Price

Commissioned research typically begins at USD $4,000.

Larger reports, multi-stage engagements and ongoing research programs are scoped separately.

Start a project

Case study 01 — Floating Island International

One engagement, from the evidence to the op-ed.

A nature-based carbon company with defensible science and no way to say it out loud.

Case 01 · Floating Island International · Commissioned Research One claim set, six artifacts, each inheriting its claims from the one before it.
  1. 01Evidence synthesisthe surviving claims, each with its source attached
  2. 02Registry submissiona methodology-grade technical edit
  3. 03Investor narrative & deckthe uncertainty stated in the body
  4. 04Grant narrativesderived from the same claim set
  5. 05Website architecturethe order in which a stranger meets the argument
  6. 06Two executive op‑edsunder the founder’s byline

The Question

Floating Island International builds engineered floating wetlands: a nature-based system for nutrient removal and habitat restoration, with two decades of deployments and a peer-reviewed evidence base behind it.

They were being read as a landscaping company.

The question they brought was not a writing question. It was: does the published record actually support a carbon claim a registry and an investor would both accept, and if it does, what is that claim exactly?

→ The Evidence

Two decades of deployment data, the peer-reviewed literature on constructed and floating wetlands, the registry methodologies that would govern certification, and the internal measurement record.

Nature-based carbon has an accounting problem before it has a communication problem, and the two are the same problem wearing different clothes. Permanence, additionality, leakage and measurement uncertainty are not marketing objections to be handled. They are the actual open questions in the field.

→ The Research

We started at the methodology, not at the messaging, because a narrative built on top of an unreviewed method has to be rebuilt the first time somebody technical reads it.

The published record was read and reduced to the claims that survive scrutiny, each with its source attached. The registry submission was edited at the standard the certifier applies rather than the standard a reader would forgive. Where the evidence thinned, we marked it rather than smoothing it.

→ The Judgment

The evidence supported a narrower claim than the market norm and a more confident one than the company had been making. Those two findings pull against each other in every draft, and the judgment was to publish both.

The call: state the uncertainty in the body rather than in an appendix. A carbon company that is candid about permanence in paragraph three is read as technical. The same company, candid about it in a footnote, is read as evasive — by exactly the audience it is written for.

→ The Deliverable

One claim set, six artifacts, each inheriting its claims from the one before it:

  • Evidence synthesis — the surviving claims, each with its source attached.
  • Methodology-grade technical editing of the registry submission.
  • The investor narrative and deck, with the uncertainty stated in the body.
  • Grant narratives derived from the same claim set, so a programme officer and a fund manager were never sent two different companies.
  • Website architecture — the order in which a stranger meets the argument.
  • Two executive op-eds under the founder's byline, written from the material rather than about it.

Nothing said in the op-ed that could not be traced back to a line in the registry submission.

→ The Result

The company stopped being asked what it was and started being asked how the accounting worked.

That is the whole shift, and it is worth naming precisely because it is unglamorous: the conversation moved from category confusion to technical due diligence, which is the conversation a carbon company needs to be having.

On the figures

The house does not publish a number it cannot source, including in its own commercial copy. Figures from this engagement are with the client for approval to name; until they come back, this section lists what was made rather than what it moved. The artifact list above is complete and is the part we can stand behind today.

Client
Floating Island International
Offer
Commissioned Research
Work
Research · Strategy · Writing
Artifacts
6 types
Confidential content
None published

Cases 02 and 03 are in preparation — ask and we will send them when they are cleared


From the Library — the house's own research

Read what we publish under our own name.

The house publishes essays under its own name in the Library. The Studio is the same discipline, pointed at somebody else's question. The reason the two live in one building is that the practice of writing for strangers every week is what keeps the commissioned work from drifting into the register that makes people stop reading.

Enter the Library


Process — four steps, no discovery theatre

How a question becomes a deliverable.

01 · The question

You send it through Start a project. We read every inquiry ourselves and reply with whether it fits, and which of the two doors it is.

02 · The scope

A written scope with the question stated back to you, the sources we expect to use, the deliverable, the price and the date. Nothing starts before you have it.

03 · The research

Evidence first, always. Where the record thins we say so in the draft rather than writing around it, because a claim that cannot be sourced comes out.

04 · The delivery

The deliverable with its sources attached, and one revision pass. If the research changed the question, the delivery says that too.

Questions — asked plainly

The things people ask before they write.

What does the Studio actually do?

We research difficult questions and turn the answer into something a decision-maker can use: a brief, an evidence map, a report, a paper, an article, sometimes a book.

The difference from an agency is scope. We do not run campaigns, buy media, design logos or manage social accounts. The difference from a freelance writer is that the work starts at the evidence rather than at the brief, and every claim in the finished document can be traced to a source.

What is the difference between a Research Brief and Commissioned Research?

A Research Brief answers one focused question at fixed scope. You know what you are asking, and you need the evidence reviewed, the sources checked, and a clear answer with the implications that matter.

Commissioned Research is for larger questions or projects that need deeper research, synthesis and a substantial final deliverable — work that cannot be handled as a fixed-scope brief. Many clients start with a brief and commission the larger piece once the first question is answered.

What does it cost?

Research Briefs begin at USD $1,000. Commissioned research typically begins at USD $4,000. Final scope determines final price.

Larger reports, multi-stage engagements and ongoing research programs are scoped separately. We put the anchors on the page because the alternative is a call whose only purpose is to discover that the numbers were never going to meet.

Do you work in Spanish?

Yes. The house is bilingual and the founder writes natively in both languages, from Patagonia.

That means Spanish work is written in Spanish rather than translated into it, which matters most in exactly the places it is hardest to fake: policy language, funding applications to Latin American programmes, and anything that has to be read by a regulator.

Who does the work?

Ricky Lanusse researches and writes Studio work, with specialist collaborators brought in by discipline when a project needs them — a glaciologist to check a claim, a carbon-methodology reviewer to read a registry submission.

Collaborators are named to the client and never used as a credential in public. If you are commissioning the Studio, the person doing the work is the person you spoke to.

Will you sign an NDA, and can you work on unpublished science?

Yes to both, and most of the work is under one.

Case studies on this site publish artifact types and outcomes only — never contents. Nothing is published from an engagement without written clearance, which is why the case above lists what was made rather than quoting from it.

What if the research does not support what we hoped?

Then that is the finding, and you get it in writing. The only thing the Studio sells is that its documents survive being checked, so a claim that cannot be sourced comes out of the draft.

In practice this comes up as a methodology conversation rather than an argument, and what remains is usually stronger for it.

How long does it take?

A Research Brief is typically two to three weeks from the agreed scope. Commissioned research runs from about six weeks for a single substantial deliverable to three to five months for an engagement of the kind described in the case study above.

The variable is almost never the writing. It is how long it takes to get the evidence into one place.

Logbook 002 · The Translation Layer — working document

How technical organizations earn belief.

Four pages on the specific failure that puts good science in front of the wrong sentence.

It covers the three places a technical claim loses people — the abstraction step, the hedge, and the unearned superlative — and what to do at each. It is written for the person who has to explain a methodology to an investor on Tuesday and to a journalist on Wednesday, and it assumes that person already understands their own material.

There are no framework diagrams in it.

Double opt-in · the document arrives once you confirm · the Dispatch is a separate tick, not a bundle

Check your inbox. One confirmation, then the document — the link is good for 48 hours.

See the Logbook

What the work can become — capabilities, not products

Nothing below is ordered on its own. These are the shapes the two offers take once the question has been answered.

  • Evidence → Funding

    Investor narratives and presentations, grant and funding cases, shareholder messaging, methodology-grade technical editing, evidence synthesis, policy language.

  • Expertise → Influence

    Thought leadership, executive positioning, op-eds, discreet ghostwriting, platform messaging.

  • Complexity → Story

    Long-form features, science communication, editorial consulting, narrative architecture for websites and reports.


If you have a question that is worth answering properly, that is the whole job.